Schlemmer, Oskar
OSKAR SCHLEMMER Group of Twelve with Interior, 1995
$45.00
Sku: YY4967
Artist: Oskar Schlemmer
Title: Group of Twelve with Interior
Year: 1995
Signed: No
Medium: Offset Lithograph
Paper Size: 17 x 17.75 inches ( 43.18 x 45.085 cm )
Image Size: 9.5 x 16 inches ( 24.13 x 40.64 cm )
Edition Size: Unknown
Framed: No
Condition: A-: Near Mint, very light signs of handling
Additional Details: "Group of Twelve with Interior" (Gruppe von Zwölf mit Innenraum) is a significant work by Oskar Schlemmer, created in 1927. This painting exemplifies Schlemmer's exploration of geometric forms and human figures within abstracted and theatrical settings, reflecting his involvement with the Bauhaus movement. The composition features twelve stylized figures, possibly dancers or performers, arranged in a balanced and choreographed manner against a minimalist interior backdrop. Schlemmer's use of bold colors and precise lines creates a dynamic interplay between the figures and the space they inhabit, emphasizing movement and rhythm. The work embodies Schlemmer's interest in the intersection of art, technology, and human form, characteristic of Bauhaus ideals during the early 20th century.
Artist: Oskar Schlemmer
Title: Group of Twelve with Interior
Year: 1995
Signed: No
Medium: Offset Lithograph
Paper Size: 17 x 17.75 inches ( 43.18 x 45.085 cm )
Image Size: 9.5 x 16 inches ( 24.13 x 40.64 cm )
Edition Size: Unknown
Framed: No
Condition: A-: Near Mint, very light signs of handling
Additional Details: "Group of Twelve with Interior" (Gruppe von Zwölf mit Innenraum) is a significant work by Oskar Schlemmer, created in 1927. This painting exemplifies Schlemmer's exploration of geometric forms and human figures within abstracted and theatrical settings, reflecting his involvement with the Bauhaus movement. The composition features twelve stylized figures, possibly dancers or performers, arranged in a balanced and choreographed manner against a minimalist interior backdrop. Schlemmer's use of bold colors and precise lines creates a dynamic interplay between the figures and the space they inhabit, emphasizing movement and rhythm. The work embodies Schlemmer's interest in the intersection of art, technology, and human form, characteristic of Bauhaus ideals during the early 20th century.
