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Sku: EF299
Artist: Raoul Dufy
Title: Paddock-Deauville
Year: 1960
Signed: No
Medium: Lithograph
Paper Size: 24.5 x 39 inches ( 62.23 x 99.06 cm )
Image Size: 24.5 x 39 inches ( 62.23 x 99.06 cm )
Edition Size: 5000
Framed: No
Condition: A-: Near Mint, very light signs of handling
Additional Details: First edition lithograph titled Paddock at Deauville by French Artist Raoul Dufy. Size: 24 1/2 x 39 1/4 inches (62 x 100 cm) Description: In 1900, artist Raoul Dufy received a local grant enabling him to attend the Ecole des Beaux-Arts in Paris. Matisse's Luxe, Calme et Volupte, which Dufy saw at the Salon des Independants in 1905, was a revelation to the young artist and directed his interests toward Fauvism. It was only after the war that he found his own personal style, producing rapid but precise paintings to which clear colors are applied with a kind of casual freedom. His favorite subjects are regattas, casinos, palm trees, race courses and orchestras. The ‘granddaddy of modern chic,' as he was called in Time during his visit to the United states in 1950-51, left one of the most joyful oeuvres of his era.
Artist: Raoul Dufy
Title: Paddock-Deauville
Year: 1960
Signed: No
Medium: Lithograph
Paper Size: 24.5 x 39 inches ( 62.23 x 99.06 cm )
Image Size: 24.5 x 39 inches ( 62.23 x 99.06 cm )
Edition Size: 5000
Framed: No
Condition: A-: Near Mint, very light signs of handling
Additional Details: First edition lithograph titled Paddock at Deauville by French Artist Raoul Dufy. Size: 24 1/2 x 39 1/4 inches (62 x 100 cm) Description: In 1900, artist Raoul Dufy received a local grant enabling him to attend the Ecole des Beaux-Arts in Paris. Matisse's Luxe, Calme et Volupte, which Dufy saw at the Salon des Independants in 1905, was a revelation to the young artist and directed his interests toward Fauvism. It was only after the war that he found his own personal style, producing rapid but precise paintings to which clear colors are applied with a kind of casual freedom. His favorite subjects are regattas, casinos, palm trees, race courses and orchestras. The ‘granddaddy of modern chic,' as he was called in Time during his visit to the United states in 1950-51, left one of the most joyful oeuvres of his era.
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