Steinberg, Saul
SAUL STEINBERG Persian Rug (no text), 1977
$150.00
Sku: AW1134
Artist: Saul Steinberg
Title: Persian Rug (no text)
Year: 1977
Signed: No
Medium: Offset Lithograph
Paper Size: 21.5 x 26 inches ( 55 x 66 cm )
Image Size: 18 x 23 inches ( 46 x 58 cm )
Edition Size: 50
Framed: No
Condition: A: Mint
Additional Details: Persian Rug is a limited edition offset lithograph by Saul Steinberg, created for an exhibition of his work held at Pace Columbus in Columbus, Ohio, in 1977. Saul Steinberg's style is characterized by a unique blend of humor and abstraction, often incorporating elements of surrealism. His work frequently features whimsical line drawings, playful forms, and vibrant colors, conveying complex ideas about identity, society, and the human experience. Steinberg’s art often explores the interplay between reality and imagination, inviting viewers to engage with the deeper meanings behind seemingly simple images. He is particularly known for his cartoons and illustrations that appeared in The New Yorker, where he adeptly combined visual wit with insightful commentary on modern life.
Artist: Saul Steinberg
Title: Persian Rug (no text)
Year: 1977
Signed: No
Medium: Offset Lithograph
Paper Size: 21.5 x 26 inches ( 55 x 66 cm )
Image Size: 18 x 23 inches ( 46 x 58 cm )
Edition Size: 50
Framed: No
Condition: A: Mint
Additional Details: Persian Rug is a limited edition offset lithograph by Saul Steinberg, created for an exhibition of his work held at Pace Columbus in Columbus, Ohio, in 1977. Saul Steinberg's style is characterized by a unique blend of humor and abstraction, often incorporating elements of surrealism. His work frequently features whimsical line drawings, playful forms, and vibrant colors, conveying complex ideas about identity, society, and the human experience. Steinberg’s art often explores the interplay between reality and imagination, inviting viewers to engage with the deeper meanings behind seemingly simple images. He is particularly known for his cartoons and illustrations that appeared in The New Yorker, where he adeptly combined visual wit with insightful commentary on modern life.