Oldenburg, Claes
CLAES OLDENBURG Scissors as Monument, 1968
$250.00
Sku: AW1029
Artist: Claes Oldenburg
Title: Scissors as Monument
Year: 1968
Signed: No
Medium: Lithograph
Paper Size: 42 x 28 inches ( 107 x 71 cm )
Image Size: 42 x 28 inches ( 107 x 71 cm )
Edition Size: 1000
Framed: No: Inquire with our experts for framing suggestions.
Condition: A: Mint
Additional Details: Lithograph in five colors on cream, moderately thick, smooth paper, created in 1968 to commemorate the opening of the National Collection of Fine Arts in Washington, D.C. The edition was limited to 1,000 impressions, all unsigned and unnumbered. Printed by the renowned Atelier Mourlot in New York and published by HKL Ltd., Boston and New York, as part of the prestigious List Art Poster Program, New York. This work exemplifies Claes Oldenburg’s playful yet incisive approach to everyday objects, reinterpreted through bold color and form. It stands as both a celebration of a major cultural milestone and a reflection of Oldenburg’s role in shaping the Pop Art movement. Referenced in Claes Oldenburg: Printed Stuff, Catalogue Raisonné (page 117, #49.1), this piece holds both historical and scholarly importance. A fine example of collectible Pop Art printmaking with strong provenance.
Artist: Claes Oldenburg
Title: Scissors as Monument
Year: 1968
Signed: No
Medium: Lithograph
Paper Size: 42 x 28 inches ( 107 x 71 cm )
Image Size: 42 x 28 inches ( 107 x 71 cm )
Edition Size: 1000
Framed: No: Inquire with our experts for framing suggestions.
Condition: A: Mint
Additional Details: Lithograph in five colors on cream, moderately thick, smooth paper, created in 1968 to commemorate the opening of the National Collection of Fine Arts in Washington, D.C. The edition was limited to 1,000 impressions, all unsigned and unnumbered. Printed by the renowned Atelier Mourlot in New York and published by HKL Ltd., Boston and New York, as part of the prestigious List Art Poster Program, New York. This work exemplifies Claes Oldenburg’s playful yet incisive approach to everyday objects, reinterpreted through bold color and form. It stands as both a celebration of a major cultural milestone and a reflection of Oldenburg’s role in shaping the Pop Art movement. Referenced in Claes Oldenburg: Printed Stuff, Catalogue Raisonné (page 117, #49.1), this piece holds both historical and scholarly importance. A fine example of collectible Pop Art printmaking with strong provenance.