Salle, David
DAVID SALLE At Boone-Castelli, 1982
$125.00
Sku: AW1702
Artist: David Salle
Title: At Boone-Castelli
Year: 1982
Signed: No
Medium: Offset Lithograph
Paper Size: 27.5 x 37 inches ( 70 x 94 cm )
Image Size: 22 x 28.5 inches ( 56 x 72 cm )
Edition Size: 500
Framed: No: Inquire with our experts for framing suggestions.
Condition: A-: Near Mint, very light signs of handling
Additional Details: Exhibition Poster for Leo Castelli & Mary Boone Gallery, March 6–27, 1982 First edition exhibition poster created for David Salle’s joint exhibition at Leo Castelli and Mary Boone Gallery, held from March 6–27, 1982. This image, now part of the Museum of Modern Art’s permanent collection, exemplifies Salle’s distinctive visual language—juxtaposing layered imagery, psychological tension, and cinematic framing. The composition is divided into two contrasting panels: on the right, a nude woman rests on her knees with her right arm extended over the back of a chair, rendered in soft grey tones that evoke classical chiaroscuro; on the left, a dense field of black dots on a charcoal background heightens the visual drama. Salle’s interplay of light and shadow, intimacy and abstraction, creates a subtle dissonance typical of his early 1980s work. Unsigned and unnumbered, this poster remains a significant piece of exhibition history, marking a key period in Salle’s collaboration with two of New York’s most influential galleries. Framing available upon request.
Artist: David Salle
Title: At Boone-Castelli
Year: 1982
Signed: No
Medium: Offset Lithograph
Paper Size: 27.5 x 37 inches ( 70 x 94 cm )
Image Size: 22 x 28.5 inches ( 56 x 72 cm )
Edition Size: 500
Framed: No: Inquire with our experts for framing suggestions.
Condition: A-: Near Mint, very light signs of handling
Additional Details: Exhibition Poster for Leo Castelli & Mary Boone Gallery, March 6–27, 1982 First edition exhibition poster created for David Salle’s joint exhibition at Leo Castelli and Mary Boone Gallery, held from March 6–27, 1982. This image, now part of the Museum of Modern Art’s permanent collection, exemplifies Salle’s distinctive visual language—juxtaposing layered imagery, psychological tension, and cinematic framing. The composition is divided into two contrasting panels: on the right, a nude woman rests on her knees with her right arm extended over the back of a chair, rendered in soft grey tones that evoke classical chiaroscuro; on the left, a dense field of black dots on a charcoal background heightens the visual drama. Salle’s interplay of light and shadow, intimacy and abstraction, creates a subtle dissonance typical of his early 1980s work. Unsigned and unnumbered, this poster remains a significant piece of exhibition history, marking a key period in Salle’s collaboration with two of New York’s most influential galleries. Framing available upon request.