Nevelson, Louise
LOUISE NEVELSON Gold Dust and Shadows, 1977
$75.00
Sku: MI1253
Artist: Louise Nevelson
Title: Gold Dust and Shadows
Year: 1977
Signed: No
Medium: Foil Print
Paper Size: 24.25 x 26 inches ( 62 x 66 cm )
Image Size: 24.5 x 25 inches ( 62 x 64 cm )
Edition Size: 2000
Framed: No
Condition: A-: Near Mint, very light signs of handling
Supplemental Condition Information: Some light denting present throughout foil
Additional Details: In 1977, the lights inside Pace Columbus shimmered off a wall lined with matte metallic gold — not sculptures this time, but posters. Their surfaces caught the light like relics, glinting as visitors passed, reflecting a vision both deliberate and defiant. Louise Nevelson had sent them — not to sell, not to sign, but to declare. These were not mere announcements for her exhibition. Printed on heavy metallic stock, each poster whispered her aesthetic language: strong, architectural, gilded — yet weightless in its silence. Though unsigned and unnumbered, they were undeniably Nevelson: sculptural even in print, commanding without plea. They were artifacts in their own right.
Artist: Louise Nevelson
Title: Gold Dust and Shadows
Year: 1977
Signed: No
Medium: Foil Print
Paper Size: 24.25 x 26 inches ( 62 x 66 cm )
Image Size: 24.5 x 25 inches ( 62 x 64 cm )
Edition Size: 2000
Framed: No
Condition: A-: Near Mint, very light signs of handling
Supplemental Condition Information: Some light denting present throughout foil
Additional Details: In 1977, the lights inside Pace Columbus shimmered off a wall lined with matte metallic gold — not sculptures this time, but posters. Their surfaces caught the light like relics, glinting as visitors passed, reflecting a vision both deliberate and defiant. Louise Nevelson had sent them — not to sell, not to sign, but to declare. These were not mere announcements for her exhibition. Printed on heavy metallic stock, each poster whispered her aesthetic language: strong, architectural, gilded — yet weightless in its silence. Though unsigned and unnumbered, they were undeniably Nevelson: sculptural even in print, commanding without plea. They were artifacts in their own right.