Moore, Henry
HENRY MOORE XXieme Siecle
$125.00
Sku: XX8527
Artist: Henry Moore
Title: XXieme Siecle
Year: Unknown
Signed: No
Medium: Lithograph
Paper Size: 12.5 x 9.5 inches ( 32 x 24 cm )
Image Size: 9.5 x 12.5 inches ( 24 x 32 cm )
Edition Size: Unknown
Framed: No: Inquire with our experts for framing suggestions.
Condition: B-: Good Condition, Signs of Handling and Age
Supplemental Condition Information: small tear top right corner
Additional Details: In 1972, Les Éditions du XXe Siècle dedicated a special issue in tribute to Henry Moore, publishing Hommage à Henry Moore, which features an original lithograph by Moore himself as its centerpiece. The work, catalogued in Moore's graphic oeuvre as CGM 182, forms part of the monograph and serves as a contemplative counterpoint to the surrounding essays on Moore’s sculpture and thought. The lithograph merges Moore’s sculptural vocabulary — smooth, biomorphic forms, internal voids, and fluid concavity — with the graphic immediacy of printmaking. It embodies a rare intersection of Moore’s three-dimensional sensibility with the two-dimensional page. As a centerfold image in a high-quality art journal, this edition offers both a collectible print and a historical record of Moore’s collaboration with one of Europe’s foremost art publications.
Artist: Henry Moore
Title: XXieme Siecle
Year: Unknown
Signed: No
Medium: Lithograph
Paper Size: 12.5 x 9.5 inches ( 32 x 24 cm )
Image Size: 9.5 x 12.5 inches ( 24 x 32 cm )
Edition Size: Unknown
Framed: No: Inquire with our experts for framing suggestions.
Condition: B-: Good Condition, Signs of Handling and Age
Supplemental Condition Information: small tear top right corner
Additional Details: In 1972, Les Éditions du XXe Siècle dedicated a special issue in tribute to Henry Moore, publishing Hommage à Henry Moore, which features an original lithograph by Moore himself as its centerpiece. The work, catalogued in Moore's graphic oeuvre as CGM 182, forms part of the monograph and serves as a contemplative counterpoint to the surrounding essays on Moore’s sculpture and thought. The lithograph merges Moore’s sculptural vocabulary — smooth, biomorphic forms, internal voids, and fluid concavity — with the graphic immediacy of printmaking. It embodies a rare intersection of Moore’s three-dimensional sensibility with the two-dimensional page. As a centerfold image in a high-quality art journal, this edition offers both a collectible print and a historical record of Moore’s collaboration with one of Europe’s foremost art publications.