Johns, Jasper
JASPER JOHNS Painting with Two Balls
$400.00
Sku: YY2296
Artist: Jasper Johns
Title: Painting with Two Balls
Year: Unknown
Signed: No
Medium: Offset Lithograph
Paper Size: 27.5 x 18.25 inches ( 70 x 46 cm )
Image Size: 17 x 14.25 inches ( 43 x 36 cm )
Edition Size: Unknown
Framed: No: Inquire with our experts for framing suggestions.
Condition: B-: Good Condition, signs of handling and age, additional images available upon request.
Supplemental Condition Information: Denting throughout.
Additional Details: Original exhibition poster created for Jasper Johns’s show at Galería Ponce, Mexico, August–September [year]. The poster features Painting with Two Balls, one of Johns’s most iconic and provocative works. First created in 1960, Painting with Two Balls challenged conventions of Abstract Expressionism by literally inserting two wooden balls into the canvas, breaking the surface and questioning the very definition of painting. This exhibition poster captures that landmark image, presenting Johns’s wit and conceptual rigor in a collectible format. As with much of Johns’s work, it blurs the line between object and representation, making it a fascinating subject for an exhibition abroad at the height of his international acclaim.
Artist: Jasper Johns
Title: Painting with Two Balls
Year: Unknown
Signed: No
Medium: Offset Lithograph
Paper Size: 27.5 x 18.25 inches ( 70 x 46 cm )
Image Size: 17 x 14.25 inches ( 43 x 36 cm )
Edition Size: Unknown
Framed: No: Inquire with our experts for framing suggestions.
Condition: B-: Good Condition, signs of handling and age, additional images available upon request.
Supplemental Condition Information: Denting throughout.
Additional Details: Original exhibition poster created for Jasper Johns’s show at Galería Ponce, Mexico, August–September [year]. The poster features Painting with Two Balls, one of Johns’s most iconic and provocative works. First created in 1960, Painting with Two Balls challenged conventions of Abstract Expressionism by literally inserting two wooden balls into the canvas, breaking the surface and questioning the very definition of painting. This exhibition poster captures that landmark image, presenting Johns’s wit and conceptual rigor in a collectible format. As with much of Johns’s work, it blurs the line between object and representation, making it a fascinating subject for an exhibition abroad at the height of his international acclaim.