Matisse, Henri
HENRI MATISSE Basket of Begonias, 1990
$30.00
Sku: CB6161
Artist: Henri Matisse
Title: Basket of Begonias
Year: 1990
Signed: No
Medium: Offset Lithograph
Paper Size: 9 x 12 inches ( 22.86 x 30.48 cm )
Image Size: 7.75 x 8.75 inches ( 19.685 x 22.225 cm )
Edition Size: Unknown
Framed: No
Condition: A: Mint
Additional Details: This is a reproduction of Henri Matisse's Basket of Begonias, originally a cut-out created in 1953. Published in 1990 with the approval of the Succession Matisse, the artwork features a dynamic arrangement of begonia flowers, showcasing Matisse’s mastery of cut-out technique and his ability to convey depth and texture through simplified shapes. Matisse’s decision to use only black and white in Basket of Begonias reflects his interest in exploring form and composition without the influence of color. By stripping away color, Matisse focused on the interplay of shapes, lines, and textures, emphasizing the structural aspects of his subject. This approach allowed him to experiment with the purity of form and the dynamic relationships between the elements of the composition.
Artist: Henri Matisse
Title: Basket of Begonias
Year: 1990
Signed: No
Medium: Offset Lithograph
Paper Size: 9 x 12 inches ( 22.86 x 30.48 cm )
Image Size: 7.75 x 8.75 inches ( 19.685 x 22.225 cm )
Edition Size: Unknown
Framed: No
Condition: A: Mint
Additional Details: This is a reproduction of Henri Matisse's Basket of Begonias, originally a cut-out created in 1953. Published in 1990 with the approval of the Succession Matisse, the artwork features a dynamic arrangement of begonia flowers, showcasing Matisse’s mastery of cut-out technique and his ability to convey depth and texture through simplified shapes. Matisse’s decision to use only black and white in Basket of Begonias reflects his interest in exploring form and composition without the influence of color. By stripping away color, Matisse focused on the interplay of shapes, lines, and textures, emphasizing the structural aspects of his subject. This approach allowed him to experiment with the purity of form and the dynamic relationships between the elements of the composition.
