Miro, Joan
JOAN MIRO Untitled from DLM 169, 1967
$250.00
Sku: CB9904
Artist: Joan Miro
Title: Untitled from DLM 169
Year: 1967
Signed: No
Medium: Lithograph
Paper Size: 15 x 11 inches ( 38 x 28 cm )
Image Size: 15 x 11 inches ( 38 x 28 cm )
Edition Size: Unknown
Framed: No: Inquire with our experts for framing suggestions.
Condition: A-: Near Mint, very light signs of handling
Additional Details: This lithograph by Joan Miró appeared in Derrière le Miroir No. 169 (1967), a special issue published by Galerie Maeght. Works created for DLM were often printed without formal titles, and this piece is indeed considered untitled, as is typical of Miró’s contributions to the series. Rendered in bold black ink, the image highlights Miró’s signature vocabulary of spontaneous marks, playful symbols, and calligraphic forms. The dense splatter, dynamic lines, and graphic contrast show how effectively his painterly gestures were translated into lithography—something Maeght’s printers were particularly known for mastering. Its striking abstract composition makes it an excellent decorative piece: visually bold, conversation-starting, and instantly recognizable as Miró’s energetic, imaginative style.
Artist: Joan Miro
Title: Untitled from DLM 169
Year: 1967
Signed: No
Medium: Lithograph
Paper Size: 15 x 11 inches ( 38 x 28 cm )
Image Size: 15 x 11 inches ( 38 x 28 cm )
Edition Size: Unknown
Framed: No: Inquire with our experts for framing suggestions.
Condition: A-: Near Mint, very light signs of handling
Additional Details: This lithograph by Joan Miró appeared in Derrière le Miroir No. 169 (1967), a special issue published by Galerie Maeght. Works created for DLM were often printed without formal titles, and this piece is indeed considered untitled, as is typical of Miró’s contributions to the series. Rendered in bold black ink, the image highlights Miró’s signature vocabulary of spontaneous marks, playful symbols, and calligraphic forms. The dense splatter, dynamic lines, and graphic contrast show how effectively his painterly gestures were translated into lithography—something Maeght’s printers were particularly known for mastering. Its striking abstract composition makes it an excellent decorative piece: visually bold, conversation-starting, and instantly recognizable as Miró’s energetic, imaginative style.