Dali, Salvador
SALVADOR DALI Necrophiliac Spring Flowering From Piano with Tail, 2000
$50.00
Sku: YY4615
Artist: Salvador Dali
Title: Necrophiliac Spring Flowering From Piano with Tail
Year: 2000
Signed: No
Medium: Offset Lithograph
Paper Size: 19.75 x 27.5 inches ( 50 x 70 cm )
Image Size: 16.5 x 22.5 inches ( 42 x 57 cm )
Edition Size: Unknown
Framed: No: Inquire with our experts for framing suggestions.
Condition: A: Mint
Additional Details: This 2000 reproduction captures one of Salvador Dalí’s early Surrealist masterpieces, originally painted in oil on canvas around 1932. The work, sometimes referred to as Necrophilic Fountain Flowing from a Grand Piano, exemplifies Dalí’s fascination with dream imagery, erotic symbolism, and the Freudian subconscious. Created during the height of his Surrealist period (late 1920s to mid-1930s), the painting reflects Dalí’s most inventive and influential years, when he developed the paranoiac-critical method—a technique of accessing subconscious associations to construct irrational yet highly detailed images. This period produced many of his iconic works, such as The Persistence of Memory (1931), where the boundary between dream and reality dissolves into fantastical, unsettling visions. The imagery of the piano, a recurring motif in Dalí’s art, takes on a hallucinatory transformation here—both object of culture and uncanny organism—underscoring the artist’s obsession with decay, transformation, and the erotic grotesque.
Artist: Salvador Dali
Title: Necrophiliac Spring Flowering From Piano with Tail
Year: 2000
Signed: No
Medium: Offset Lithograph
Paper Size: 19.75 x 27.5 inches ( 50 x 70 cm )
Image Size: 16.5 x 22.5 inches ( 42 x 57 cm )
Edition Size: Unknown
Framed: No: Inquire with our experts for framing suggestions.
Condition: A: Mint
Additional Details: This 2000 reproduction captures one of Salvador Dalí’s early Surrealist masterpieces, originally painted in oil on canvas around 1932. The work, sometimes referred to as Necrophilic Fountain Flowing from a Grand Piano, exemplifies Dalí’s fascination with dream imagery, erotic symbolism, and the Freudian subconscious. Created during the height of his Surrealist period (late 1920s to mid-1930s), the painting reflects Dalí’s most inventive and influential years, when he developed the paranoiac-critical method—a technique of accessing subconscious associations to construct irrational yet highly detailed images. This period produced many of his iconic works, such as The Persistence of Memory (1931), where the boundary between dream and reality dissolves into fantastical, unsettling visions. The imagery of the piano, a recurring motif in Dalí’s art, takes on a hallucinatory transformation here—both object of culture and uncanny organism—underscoring the artist’s obsession with decay, transformation, and the erotic grotesque.