In a tall and monumental signed piece created by Josef Albers in 1972 for The 10th New York Film Festival, the abstract geometric drawing is sharply rendered, crisp and clean, but with a matte-finish ink that gives it a rich, warm sensation. The thick paper and incising blue silkscreen ink chosen are lush as well, giving the piece a gorgeous presence. Albers was known for his Interaction of Color which he published in 1963, where he presented his theory that colors were governed by an internal and deceptive logic, the very rare first edition of which has a limited printing of only 2,000 copies and contained 150 silkscreen plates. The vibrancy of silkscreen inks was something that lent itself well to his obsessions with color, and this NY Film Festival print is no exception.
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